Showing posts with label Stained Glass. Show all posts
Showing posts with label Stained Glass. Show all posts

Sunday, February 20, 2011

Stained Glass Excerpt - Suspended Animation

From the journal of Kyle Welland, protagonist in my novel in progress, Stained Glass...
SUSPENDED ANIMATION
(Kyle Welland)
Andrew isn’t the least bit interested in what I’m doing. I thought he might perk up a bit, beings as the research is about his own family, but he remains as sullen and dull as most male teenagers. Sometimes I want to grab him by the collar, shake him, and yell “Wake up!” at the slouching brute we’ve created. But it wouldn’t do any good. He’d stare me down with that who-gives-a-shit look of his – a look harder than bricks. As far as he’s concerned his mother simply wants him out of her sight, and his father has been designated keeper – the guy who drags him away from his friends, such as they are.
St. John the Divine in Yale BC
We stopped at Hope for breakfast. There’s a place we go to whenever we’re heading inland called The Home Restaurant. They serve big plates of classic North American cuisine. For breakfast: bacon, eggs, hash browns, and toast, all washed down with endless cups of coffee. It’s always crowded there, the drone of anonymous conversations punctuated by the clatter and clash of the kitchen and the bustle of waitresses whisking by with armloads full of heaped plates. Andrew and I had run out of words. So we sat on either side of the table stewing in our own silence while life went on around us.
I honestly don’t know how we got to this place. Sure, I haven’t been a role-model dad. But I haven’t been a complete bastard either. Doreen and I have taken care of the basic stuff. He’s never lacked for shelter; food; support in school; encouragement in sports, music, anything he wanted. But something’s been missing and he blames the two of us for it. I’m not even sure he could identify where the black hole in our relationship is, or what kind of gravity is sucking the love out of our lives. It’s real though. Andrew’s resentment is real.

Saturday, February 19, 2011

Thomas Cranmer

Thomas Cranmer
I keep coming across the story of Thomas Cranmer, the reluctant Archbishop of Canterbury, who is considered the 'Father of the Prayer Book', in reference to the Common Book of Prayer, the writing of which he oversaw in its first printing of 1549, then in its first revision in 1552. On March 21, 1556 he was burned at the stake outside St. Mary's Church in Oxford.

Writes Richard H. Schmidt in his book Glorious Companions: Five Centuries of Anglican Spirituality, "When the wood was kindled and the flames began to leap up around him, he stretches out his right hand into the fire, crying 'This is the hand that offended!' Nor does he withdraw his hand from the flame until first it, then the archbishop himself, are consumed."

Imprisoned for three years by Queen Mary, who restored the Catholic liturgy in the Church of England, he had recanted the protestant theology which the Book of Common Prayer had introduced. But in his final moments, while reading a prepared speech which was supposed to complete his humiliation, he departed from the text, attempting to reaffirm his Protestant beliefs before he was dragged out of the pulpit for execution.

Only by reading stories such as these do I gain a sense of the powerful faith that moves men like Thomas Cranmer. Christopher Dryden traces his spiritual lineage directly to the archbishop, and prays that if a moment ever comes when he must prove his faith, he will be be able to. Anna Armstrong is the test he faces, and like his spiritual forebear, he wavers. This inner conflict between his duty as a priest and his love for Anna will become intolerable for him as the story develops, and like Thomas Cranmer, he will end up showing himself to be entirely human.

Saturday, January 22, 2011

Stained Glass - In the Beginning

Flickr Photo by GregPC
At first she had doubted. Despite the strength of her own convictions – her revulsion – she could not imagine herself doing what she must do. So she sat at the kitchen table, alone, her hands folded in front of her. Albert would be in the church with the others. “I’m sick of this, Margaret,” he’d protested. “We’ll be the laughingstock of the town if you go on this way.”
People wouldn’t be laughing once she got up her nerve, though. They’d be scurrying around like the rats they were, looking for a ditch to dive into. She smiled grimly at the notion. “Forgive me, God,” she muttered, bobbing her head in the direction God might have been, out the kitchen window. Sunlight slanted in from the southeast. Pure unadulterated light, the way God had created it on the First Day, not tainted light, paid for by whores and tinged by Satin himself.
That’s what bolstered her in that decisive moment, the pure light pouring in over their kitchen window sill. Surely it carried a message from God. A sign. And it occurred to her, as she tilted toward action, that signs abounded. All nature was a sign, but only a few could decipher God’s commandments, which blossomed inside you more like feelings than anything else once you were chosen.
Albert called her stubborn, even stupid. But that was only because he was such a weak man. He’d been with her at the start, now he’d fled back to the herd. So be it. With him life had become a series of choices, based on which was the least damaging to his career. She had become an embarrassment to ‘a man in his position’ – a liability on the social ledger. Once it became clear she would not budge, Albert’s calculus led to the inevitable conclusion that it would be best to publicly break with his wife rather than side with her against the entire congregation of St. Saviour’s. Thus, his decision had been rendered.
She despised him even more than the rest.

Friday, January 14, 2011

In my Father's Arms - Stained Glass

Flickr photo by Daisyree Baker
Dad suffered a massive heart attack. He was dead by the time they got him to the hospital. My earliest memory of Dad is being in his arms as an infant. He’s carrying me somewhere and I can feel the movement through his shoulders and chest. He’s not paying attention to me. His eyes are fixed on some point in the future and he’s marching on like a character in a propaganda poster. I like that. It comforts me to know he’s moving purposefully and that his awareness of me is purely physical. In that precise moment I have absolutely no fear. I know I will be afraid of things in the future, that all the things I do fear are out there in the direction he scans with his intense blue eyes. But that doesn’t matter because he’s looking at them for me and they scurry away from his laser gaze. I am watching my left hand. I have placed it on his right cheek, just above his neck. He hasn’t shaved for a few days and the stubble tickles my palm. This sensation runs through me, a warm buzz rampant in the neural network. Every molecule of my being vibrates in harmony with it and the sensation is so delightful I have to laugh out loud. I’m not aware of it – not then as a child – but the rippling joy is propagating in both directions, irradiating two souls from the tiny patch of skin where they have established contact. Now I know my father remembered that moment too... that it only died when he did, and then only half-died.

Tuesday, January 4, 2011

Stained Glass - Made in Heaven

Photo from Wikipedia - Mary Magdalene
This morning has brought an amazing transformation in the story I have been calling Stained Glass, all stemming from my reading about Mary Magdalene and the various interpretations of her place among the Christian denominations. I had no idea she was such a controversial figure, or how uniquely she foreshadowed the emergence of feminisim within the Christian faith. I am astounded by her story! The Anglican Church accords her a place of honour in their calendar, as does the Eastern Orthodox Church. The Catholic Church also honours her, but in a more vague and qualified manner it seems to me.

Mary Magdalene was an 'apostle to the apostles' according to some, and favoured by Christ. Some believe she may have been Christ's companion and that her relationship may have been more intimate than that of a disciple to her master. Others go so far as to claim Mary Magdalene bore a child by Jesus. Without delving into those contentious issues, I think it safe to say most Christians see Mary Magdalene as a devoted and seminal figure in the early church.

As I got to know more about her, I could not help juxtaposing Mary Magdalene's persona onto Anna Armstrong. In fact, I see Anna as a manifestation of Mary's spirit 1,870 years after biblical times in the boisterous gold rush town of Barkerville. She has arrived there with a missionary zeal to serve the 'fallen women' who have been caught up in the sex trade, and in order to do so effectively she has taken on the guise of a prostitute herself. She is the one who encourages Madame Blavinsky to fund the installation of a stained glass window in St. Saviour's, and she suggests the image of Mary Magdalene as the subject of the glass. It ties in with her mission, and Madame Blavinsky is easily persuaded because she likes Anna and sees her as a 'special girl'.

Anna's own background as the daughter of an evangelical minister in Kingston, Ontario has influenced her choices deeply. She could not abide her father's bigotry against women, which borders on misogyny. But neither can she abandon her Christian roots, which are central to her beliefs. Mary Magdalene chrystalizes this contradiction in Anna's life, and she adopts Mary as her patron saint, a point of view which - even though it is not explicitly stated - further inflames her father's anger. She leaves on her mission to the West followed by her own father's curse, an episode that both shatters her and drives her into a deeper and more reckless resolve to help the prostitutes in the frontier towns.

This spiritual aspect of Anna emerges for Reverend Christopher Dryden as he gets to know her. He is the one who can absolve her of her father's anger. That spiritual purity and conviction can survive the kind of life she has been leading awes him. He not only falls deeply in love with her, he is forced to come to terms with his own prejudices in her presence. Their struggle to overcome the moral and sexual taboos of the Victorian era is the heart and soul of the novel. It will be the engine that drives the surrounding action. Anna is a feminist, a Christian and a Romantic all at once, and this mystifying combination of natures drives Christopher to the brink of madness because he loves everything about her, and denies most of what she represents at the same time.

That is the story. And rather than calling it Stained Glass - a worthy working title which I give up sadly - I think I am going to call it Made In Heaven, the connotations of which are still working themselves out.

For more details on characters and story development in Stained Glass (AKA Made In Heaven) go to the Stained Glass web site, which as of now becomes a static repository of past but still highly relevant thoughts.

Sunday, January 2, 2011

The Nib

flickr photo by Limbo Poet

Regenerating Symbols

Sometimes I think a favoured symbol of mine is worn out. It's either been used too often or has become anachronistic. How well does the modern reader relate to symbols like the steam engine, which once dominated the industrial literary landscape, or a rose by any other name, which has been a faded emblem since Shakespearean times.

But symbols that have lost their vigour can sometimes be revisited. A case in point is stained glass, which will be a significant symbol in my novel of the same working name. I have gone through several vicissitudes working with this particular element. At first I was excited. The symbolic import of light, passing through glass into a sacred space seemed so obviously potent that I couldn't help but be deeply pleased whenever the image came to mind.

But it dawned on me gradually that my excitement had as much to do with my own incomplete literary knowledge as with the vitality of the symbol itself. As a spiritual and religious image stained glass has probably been used in countless passages. As a modern symbol it will be irrelevant to a growing demographic of readers. So does the reference to stained glass warrant prominent treatment in my work, even a work of the same name?

Before abandoning the reference as anything more than a passing curiosity, I did a little research. And lo, a whole new set of meanings have emerged, which revitalize the symbol in ways I had not dreamed possible. Indeed, the beauty of this symbol is its transition from a classical religious icon into a feature of many religious institutions that has been deeply altered by modern science. Instead of being an overwhelmingly religious and spiritual reference, stained glass is now invested with an amazing set of scientific properties that become a metaphor for the impact of scientific inquiry on religion. It now symbolizes for me the altered nature of light that pours into our churches.

I haven't fully grasped even the fundamentals of the science around photons and light waves. But Einstein's Theory of Relativity and a cluster of other scientific discoveries have as much to do with the significance of a brilliant church window as do the biblical scenes that are depicted. A remarkable and provocative dissonance builds when I consider stained glass from these dual perspectives. It's a fragmenting view that makes me think hard to align my notions of spiritualism and science - both of which are central to my world view.

That makes stained glass a potent image, and the shattering of stained glass by the fictional  iconoclasts of Barkerville a dramatic statement pitting one world view against another. So my instinctive appreciations of stained glass as a symbol has been borne out by its precarious position in the modern intellectual and emotional context. I'm so happy it has a revivified meaning, because it would truly have been a shame to give it up.

Tuesday, December 28, 2010

Stained Glass

This is an excerpt from Stained Glass, a novel in progress. If you are interested in a more complete sharing of this work, go to the Stained Glass blog.
When Mum asked me to finish Christopher Dryden’s memoir, I thought “Christ, I’ve got enough on my plate already, haven’t I?” What with Andrew slouching toward oblivion in a cloud of marijuana smoke; Doreen getting up the courage to demand a divorce; and me silently praying she’d just get on with it. The very atoms of our unstable family repelled one another with more-than physical force; the Vancouver branch of the Welland clan was disintegrating before my eyes.
And Mum wanted me to write some ancient forebear’s memoir?
She sprang this request on me just after we’d finished scattering Dad’s ashes on Skaha Lake. Summoning me into her bedroom, she led me to her walk-in closet and asked me to get what looked like – and turned out to be – an antique tobacco tin down from the top shelf. “Dixie Queen Plug Cut Smoking Tobacco,” the label proclaimed. I thought maybe it was a stash of Dad-memorabilia that hadn’t been disclosed to my siblings, which she was handing over to her favored son.
“That,” she said in her important voice, “is the unfinished memoir of your great-great-grandfather Christopher Dryden.”
Then she stared at me for a good long time as if I should have known what to do. And I did know, I suppose. Somewhere, deep within the muffling folds of my brain a sort of psychic depth charge went off, the heat and flash of its detonation transformed into a tingling sensation in the nerves. I wanted to hand the thing back to her and say “No way, Mom!” But how could I? We were standing in the sanctum sanctorum, surrounded by the rustle and scent of her clothing, by drawers filled with socks, panties and brassieres. I stood there, clutching the sacred vessel of my long-dead forebear, feeling like a dog caught crapping on the living-room carpet.
Damn you Christopher Dryden!
As a writer of sorts I’d experienced this kind of sinking sensation before, of course. The relatives of neurosurgeons don’t usually barter for favors on the unspoken understanding that their part of the deal will never materialize. Store owners aren’t expected to provision their kith and kin. But writers? It sort of comes with the territory – the expectation that you’ll be the chronicler of family history, the jotter of pithy cards, the guy who comes up with succinct material for employment forms and so on.
So Mum stared, her eyes watery with anticipation. And my inner resolve melted. I had vowed to never-again bow to people’s expectations. Nine-to-five was long enough at the keyboard. My off hours were dedicated to unspecified puttering about the house, the occasional game of golf or whatever the hell else I wanted to do. These banal activities weighed in the balance as it sank in, even before she asked, that Mother wanted me to ghost-write a dead man’s memoir.
I should have refused, but the tobacco tin seemed relatively light and compact, defying ‘no’ with its smallish dimensions. How could I turn down such a light burden, when my mother’s ancient hands shook as she thrust the box toward me, the sly old bird. Before I could anticipate what seeds of untold labour the little crypt might contain I found myself promising in a hushed, reverent tone to have a look at the stuff inside. I’d see what I could do.
Mom patted my arm, gave me a peck on the cheek and thanked me from the depths of her sorrow, as if what I was embarking on would put together the pieces of her puzzle. As if, somehow, my finishing Christopher Dryden’s long-lost memoir would make it easier for her to get over my father’s death, an event which I assumed we all thought privately had been a ‘merciful’ release.
Mom had taken it with her usual stoicism. That didn’t surprise me. Toward the end Dad became a shadow of his former self. He couldn’t drink anything stronger than an afternoon sherry. Puff anything more potent than Andrew’s second hand smoke. Fornication wasn’t even a memory...
What was left, for Christ’s sake, other than sitting day after day by the picture window in their living room, staring at the Mediterranean landscape off to the west, their hyper-defensive dog Sam curled up on his lap ready to snap at anyone who intruded on their dozy camaraderie?
I saw Dad’s elder years as a period of retribution – living purgatory, if you will, in preparation for a blank beyond. It confirmed my Epicurean abhorrence of heaven.
Don’t get me started.
His ashes had sat in a cardboard box up on that same shelf in Mother’s bedroom ever since his memorial the year before. It was a funny shaped vessel, sort of like an oversized Chinese take out carton, but much bigger and heavier. We all wanted to get some ‘closure’, as they say, but Mum couldn't make up her mind where to scatter the ashes. So they sat up there with the old scarves, and hats, and sweaters that nobody wears anymore – stuff that had been set aside and forgotten, including Christopher Dryden’s tobacco tin.
Every once in a while my sister Brenda would call. "What are we going to do with Dad?" she'd say. Mum and Dad had actually purchased plots years ago, but for some reason she put off the idea of interment. "I don't want him stuck in the ground," was all she'd say about it. "But Mom, he won't just be stuck in the ground! There'll be a service," Brenda argued. When that didn’t work, Brenda informed the rest of us that Mum needed a place where she could go and commune. Forest Lawn was too far away, too formal.
Why the hell did they spend all that money on plots down in Surrey then, when they lived 350 kilometres away in Pentiction?
Doreen made her usual snide comparisons between my screwed up family and her ever-so emotionally and intellectually evolved folks. When her mother died Doreen’s father Frank snuck into Beacon Hill Park and scattered the ashes in a little grove by a burbling brook, where he'd also purchased a plaque on a wooden bench. "Esther would have liked that," he said, and to hell with civic bylaws.
Actually, he accomplished the deed in shifts, bringing pockets full of Esther to her final resting place for scattering. It reminded me of the movie The Great Escape, where the POWs scattered dirt from their tunnel in the prison yard right under the noses of their German guards. Frank didn't send Esther’s ashes rattling down his pant leg, though. He transported her in zip-lock bags, which he emptied ceremoniously, then carefully folded and reused.
Like Frank, Dad had served in World War II – Dad as a bomber pilot. At one point I'd wanted to write a book based loosely on his life. This would have been a couple of years before his heart attack. I asked him to go with me to the Canadian Air & Space Museum in Toronto to look at a Lancaster bomber they have in their collection. But he always begged off. I thought it was his reticence about the horrors of war that held him back. Mum told me later that wasn't it at all: by the time I got around to asking him, a mild dementia had set in and Dad was afraid he wouldn't be able to remember anything about the plane, or how he’d flown it. He didn't want to go and gawk at something that had been part of his own history and not know an altimeter from a compass.
When Mum told me that, it was like she'd fastened a lead ball to my heart.
Anyway, something had to be done with Dad's ashes.
So I offered to scatter them in Skaha Lake when the family got together to mark the anniversary of his ‘passing’ – a term not allowed by the Canadian Press style guide, which insists that people, unlike gall stones, have to ‘die’ or be ‘killed’ or ‘murdered’ and so on. I broached the subject of Skaha with a salesman’s zeal, making it sound like Dad had always wanted to end up on its sandy bottom, within earshot of speed boats buzzing overhead and the thrashings of hyperactive kids tormenting each other while their parents grilled wieners on the beach.
Brenda, of course, immediately started telling me where the ashes should be dumped, how, and what sort of words should be uttered as Dad went over the side, and so on. “Don’t be so childish,” she fumed, when I told her she could paddle the god-damned canoe out on her own if she was so smart. “He’s my Dad, too, and I have a right to make sure things are done properly.”
Yeah. I could just see her out on the shore with a couple of those wands the ground crew use at airports, guiding me to the exact location where I was to jettison Dad’s ashes.
I’d brought the canoe along as my sacred barge. I also hoped Andrew and I could get in some paddling somewhere along the way. But he wasn’t interested. The last thing he wanted was to be stuck on a sixteen foot fiberglass island with his old man. I thought he might relent for the scattering of Dad’s ashes, but he gave me a sullen “no” when I asked, and I didn’t argue the point. So on the anniversary of Dad’s death I hauled the canoe across the sand at the east end of Skaha beach and put in, Dad’s ashes in the belly of my Frontiersman.
The canoe glided out onto the still waters. I kneeled to port, heeling her over so I could dip my paddle. The first two strokes I arced wide, swinging the bow to starboard, then I pulled straight back, flicking a little ‘J’ into the paddle and gliding. The physical sum-total of a man’s life – of my father’s life – sat there in front of me. Aside from his ashes what remained? The collective memories of me, Mum, Brenda, Collin and Mitch? memories that lay dormant in the thinking flesh; memories coded into the spiral ribbons of our DNA; memories in photos, mementos, the jumble of junk in the back yard shed. All transient things, whose meanings would be lost when our turn came to stop breathing.
Several friends have told me I should get rid of the old Frontiersman and invest in a Kayak. They laud the sleek profiles of their designer boats, which reduce wind exposure; the double bladed paddle, which balances one stroke off against the other; the buoyancy of a vessel that has sealed compartments at either end and a closed cockpit in the middle; and so on. But there’s no feeling of mastery to paddling a Kayak. I love taking out my canoe on windy days with a bit of chop and tide. If you’ve never balanced your own skill and power against the elements and achieved perfect equipoise, you won’t understand what the hell I’m talking about. But there’s a feeling you get when you’re paddling a canoe that just doesn’t happen in a kayak – a feeling that you are utterly still and the water is moving around you and the whole universe spins on a point centered inside your head. There is no other God than that. We are standing waves, eddies in the current. We die, then we’re done, but the tides still run, the sun rises and sets, Andrew will keep on breathing.
Two back strokes and the canoe stopped dead on the lay line between the park bench, where Mum sat surrounded by her offspring, and a little beacon at the end of the Skaha marina jetty. I’d sat her down earlier and pointed the marker out. “If you sit here and look toward that light, Mum, you will be looking over the spot where Dad’s ashes lay.” She hugged me and gave me a peck on the cheek. “Thank you.” she said. “You’ve always been the quiet one, always saving up your words to write them down.” The sensation of her hand on my  neck is still with me. Her benediction caught me off guard.
I looked back from mid channel to the bench where they were all gathered around Mum. It was only a box full of ashes, for Christ’s sake, what’s left when a body’s been reduced to dust. But I wished I could think of a suitable prayer to add dignity to the act I was about to commit. Mum needed that from me. I unsealed the container and the plastic liner. Dad’s remains! How were they any different from the filtered contents of a built in vacuum?
“Fuck off!” I told myself.
Still, nothing of moment came to me. It was a carton filled with ashes and shards of bone. I poised it on the gunnels for a second or two, still hoping, then tipped the container with one swift motion.
Dad’s ashes formed a plume in the clear water of Skaha lake. And in that plume I thought I might have seen what he’d seen all those years ago over Germany and France. I thought I saw the dance of Shiva, and a million souls roiling in a mushroom cloud. “My God,” I muttered. “What a terrible duty you served, Dad. What awful bravery. Why did I not see that before now.”